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One day, Angie Voorster diligent student, all-star swimmer, and Ivy League-bound high school senior dives to the bottom of a pool and stays there. In that moment, everything the Voorster family believes they know about one another changes. Set in a small town in New Hampshire, Halfway House is the story of Angie's psychotic break and her family's subsequent turmoil. Each of her family members responds differently to the ongoing crisis: Her father Pieter, a professional cellist, retreats further into his music; her mother begins a destabilizing affair with a younger man; her younger brother, Luke, first pushes away from her then later drops out of college to be closer to her. Though the Voorsters manage for a time to maintain a semblance of the normalcy they had "before," it is not until Angie is finally able to fend for herself that the family is able to truly fall apart and then regather itself in a new, fundamentally changed way. With grace and precision rarely seen in a first novel, Noel guides readers through a world where love is imperfect, and where longing for an imagined ideal can both destroy one family's happiness and offer redemption.
Reminiscent of "Ordinary People," this novel tells the story of an academically gifted teen, who is also a champion swimmer, who develops mental illness, in this case bipolar disorder. Angie's journey is also told from the perspective of her cellist father, activist mother and younger brother, Luke, who has up until Angie's illness, felt overlooked in the family. We also hear from Luke's college girlfriend Wendy, a levelheaded young woman who can't help but feel that she sometimes takes second place in his life to Angie.The family naturally feels the strain, as Angie struggles to recover some semblance of her old life, even with debilitating medication side effects and repeated hospitalizations. Her condition is described so well, it's hard to believe the author doesn't have firsthand knowledge of mental illness (though I'm not saying she does or doesn't). But the characters all come across as real people, not stereotypes. The story arc is similiar to "Ordinary People," only with the omission of the sympathetic, miracle working therapist. In fact, the only major flaw is the lack of attention to just how Angie manages to recover. We never see her discussing her condition with a therapist. Usually, insight into one's condition is necessary for recovery, as well as medication and supportive family/friends. All of a sudden, she's markedly better, and though we root for her, not a lot of clues are provided as to why. But the ripple effect of major mental illness is brilliantly done here.